Get ready for a Broadway debut that’s as bold as it is groundbreaking! Dylan Mulvaney, the TikTok sensation and transgender rights advocate, is stepping into the spotlight as Anne Boleyn in the hit musical Six. But here’s where it gets controversial—Dylan’s casting as the famously beheaded queen has already sparked conversations about representation and storytelling. Is this a step forward for inclusivity, or does it challenge historical accuracy? Let’s dive in.
Dylan took to Instagram on January 16 to share the thrilling news, exclaiming, ‘YAY BROADWAY!’ She couldn’t contain her excitement, adding, ‘So happy my Broadway debut is playing a fellow polarizing woman in this perfect musical next month.’ At 29, Dylan is no stranger to the stage, having previously toured with The Book of Mormon and starred in her own Off-Broadway show, The Least Problematic Woman in the World. But this role feels different—it’s a dream come true, and she’s ‘SO HAPPY [she] CAN’T STOP SMILING.’
Starting February 16, Dylan will join a star-studded cast, including Grammy winner Abigail Barlow as Katherine Howard, and returning favorites like Adrianna Hicks and Anna Uzele. Dylan joked on Instagram about playing ‘an iconic controversial woman’ who meets a dramatic end, a nod to Anne Boleyn’s execution in 1536. This histo-remix reimagines King Henry VIII’s wives as a girl group in a pop concert—a bold twist on history that’s sure to divide opinions.
And this is the part most people miss—Dylan’s journey to Broadway was inspired by none other than Kristin Chenoweth. Back in 2010, a young Dylan wrote to Chenoweth during her run in Promises, Promises, asking for coffee. Instead, Chenoweth invited her backstage and prophesied, ‘You’re going to sing with me one day and do this with your life.’ Fast forward to 2025, and Dylan’s living that prediction, proving that dreams really do come true.
But let’s address the elephant in the room: Dylan’s casting has already ignited debates. Some celebrate it as a victory for LGBTQ+ representation, while others question whether historical figures should be reinterpreted this way. What do you think? Is this a step forward, or does it cross a line? Share your thoughts in the comments—we want to hear from you!
For Dylan, this role isn’t just about performing; it’s about visibility and breaking barriers. As she steps into Anne Boleyn’s shoes, she’s also carrying the stories of countless others who’ve fought for their place in the spotlight. So, mark your calendars, grab your tickets, and join Dylan as she makes history on Broadway. Because whether you love it or hate it, this debut is one for the books.
